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Data version 6d29e2f86993, built 2026-10-26; facts on this page checked 2026-10-21 to 2026-10-22.
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Workflows

14 jobs to be done

ENG / breaking news live shot

Prism Mobile 5G + Teradek Data → Core → Prism Flex or Rack decoder

WF-018 slots3 core productsdiagramBroadcast

REMI / at-home multi-camera sports

Several Prism encoders or Jetpack → SRT/TRT → Prism Rack at studio

WF-027 slots3 core productsdiagramBroadcast

RF camera for live sports / IMAG

Ranger Mk II or Bolt 7 MAX TX → RX at OB truck or FOH

WF-035 slots3 core productsdiagramBroadcastLive production

Point-to-point contribution / return feeds

Prism Flex encoder ↔ Prism Flex/Rack decoder over SRT, TRT or RIST

WF-045 slots8 core productsdiagramBroadcast

Multi-platform streaming

Program out → Prism Flex → Core → YouTube, Facebook, Twitch, CDN

WF-054 slots2 core productsdiagramLive production

Single-camera event stream

Camera → Prism Flex (legacy: Cube, VidiU Go) → Core or direct RTMP

WF-064 slots0 core productsdiagramLive productionWorshipEducationCorporate

Multi-camera live production (worship, education, corporate, concerts)

Cameras → switcher → Prism Flex → Core; Bolt for roaming camera

WF-078 slots0 core productsdiagramLive productionWorshipEducationCorporate

UAV / public safety situational awareness

Prism Mobile on UAV or vehicle → Core → command centre

WF-085 slots1 core productdiagramPublic safety

On-set zero-delay monitoring

Bolt 7 / Bolt 6 LT TX on camera → RX to director, focus, DIT

WF-096 slots11 core productsdiagramCinema

Wireless camera control and live color

Bolt 7 900 MHz data channel → DIT cart

WF-105 slots2 core productsdiagramCinema

Cloud video village / remote review on set

Serv 4K or Prism → Link AX + Node 5G + Teradek Data → Teradek TV

WF-117 slots4 core productsdiagramCinema

Camera-to-cloud dailies and proxies

Serv 4K or Prism → Frame.io C2C, Sony Ci, PIX, Moxion

WF-127 slots2 core productsdiagramCinemaPost

Live post review (editorial, HDR color)

Edit or color bay SDI out → Serv 4K / Prism Flex → Teradek TV Pro (10-bit) or Core Share

WF-134 slots1 core productdiagramPost

Wireless focus/iris/zoom (FIZ) lens control

Handset (CTRL.1/3/5) → 2.4 GHz FHSS → camera-mounted receiver (MDR.S/MDR.X) → lens motor(s) (MOTR.S/MOTR.X) on the lens; optional handset mounted on a monitor fed by a Bolt link for lens-data overlays; optional TOF.1 rangefinder

WF-145 slots7 core productsCinemaLive productionWorship

Jobs as customers describe them

From Teradek's question catalogue: each scenario and the workflow it maps to.

ENG / breaking news live shot

  • Q01 “We cover breaking news with one camera and a reporter, often from the car.” broadcast
  • Q17 “A rally team streams onboard camera from the car during stages.” live production (variant)WF-01 is recorded for broadcast; this live production scenario is mapped to it by Teradek's question catalogue.
  • Q25 “A marathon broadcast with motorbike cameras over 42 km.” broadcast · or WF-03
  • Q28 “A news agency wants to centrally manage 30 field encoders in five countries.” broadcast (plus Core fleet)

REMI / at-home multi-camera sports

  • Q02 “We produce a regional football match with 4 cameras and the director at the studio.” broadcast

RF camera for live sports / IMAG

  • Q03 “We need a roaming handheld camera on the pitch and the truck is 400 m away.” broadcast, live production
  • Q18 “A theatre needs IMAG of the stage on side screens with no visible delay.” live production · or WF-09
  • Q19 “An esports arena needs 6 wireless cameras in a hall full of Wi-Fi.” live production · or WF-07
  • Q25 “A marathon broadcast with motorbike cameras over 42 km.” broadcast · or WF-01

Point-to-point contribution / return feeds

  • Q04 “Two venues exchange programme and return feed over the public internet every night.” broadcast
  • Q21 “A hospital streams surgery to a lecture hall securely.” education · or WF-06WF-04 is recorded for broadcast; this education scenario is mapped to it by Teradek's question catalogue.
  • Q26 “A house of worship with two campuses wants the sermon live at the second site.” worshipWF-04 is recorded for broadcast; this worship scenario is mapped to it by Teradek's question catalogue.

Multi-platform streaming

  • Q05 “Our weekly corporate show goes to LinkedIn, YouTube and our website at once.” corporateWF-05 is recorded for live production; this corporate scenario is mapped to it by Teradek's question catalogue.
  • Q30 “A content creator wants to go live vertically on TikTok and Instagram from a mirrorless camera.” live production · or WF-06

Single-camera event stream

  • Q06 “One camcorder, a church, a volunteer, Facebook Live every Sunday.” worship
  • Q15 “A university streams lectures from 12 rooms to a campus platform.” education · or WF-07
  • Q16 “A wedding videographer streams the ceremony for relatives abroad from a venue with poor Wi-Fi.” live production (plus cellular)
  • Q21 “A hospital streams surgery to a lecture hall securely.” education · or WF-04
  • Q30 “A content creator wants to go live vertically on TikTok and Instagram from a mirrorless camera.” live production · or WF-05

Multi-camera live production (worship, education, corporate, concerts)

  • Q07 “Three cameras, a switcher, a concert hall, stream to a ticketed platform.” live production
  • Q15 “A university streams lectures from 12 rooms to a campus platform.” education · or WF-06
  • Q19 “An esports arena needs 6 wireless cameras in a hall full of Wi-Fi.” live production · or WF-03

UAV / public safety situational awareness

  • Q08 “Police drone feed to the operations room during an event.” public safety
  • Q22 “A government agency needs encrypted live video from the field to a situation room.” public safety

On-set zero-delay monitoring

  • Q09 “A feature film: the DP, director and focus puller each need a wireless monitor.” cinema
  • Q18 “A theatre needs IMAG of the stage on side screens with no visible delay.” live production · or WF-03WF-09 is recorded for cinema; this live production scenario is mapped to it by Teradek's question catalogue.
  • Q20 “A documentary crew of two in a remote area needs director monitoring and an evening upload to the editor.” cinema · together with WF-12
  • Q24 “A virtual production stage wants camera feeds to the brain bar without cables.” cinema

Wireless camera control and live color

  • Q10 “The DIT wants to grade live and control the camera without running Ethernet.” cinema

Cloud video village / remote review on set

  • Q11 “The producers are in Los Angeles and want to watch the London set live on iPads.” cinema
  • Q23 “A commercial shoot in Sofia with an LA agency watching live and giving notes.” cinema
  • Q27 “A rental house wants to offer a turnkey cloud video village package.” cinema

Camera-to-cloud dailies and proxies

  • Q12 “The editor wants proxies in Frame.io minutes after each take.” cinema, post
  • Q20 “A documentary crew of two in a remote area needs director monitoring and an evening upload to the editor.” cinema · together with WF-09

Live post review (editorial, HDR color)

  • Q13 “The client wants to review an HDR grade from home with accurate colour.” post
  • Q29 “A post house wants to replace in-person client sessions with remote colour review.” post

Wireless focus/iris/zoom (FIZ) lens control

  • Q14 “A gimbal operator needs focus, iris and zoom pulled remotely.” cinema