Workflows
14 jobs to be doneENG / breaking news live shot
Prism Mobile 5G + Teradek Data → Core → Prism Flex or Rack decoder
REMI / at-home multi-camera sports
Several Prism encoders or Jetpack → SRT/TRT → Prism Rack at studio
RF camera for live sports / IMAG
Ranger Mk II or Bolt 7 MAX TX → RX at OB truck or FOH
Point-to-point contribution / return feeds
Prism Flex encoder ↔ Prism Flex/Rack decoder over SRT, TRT or RIST
Multi-platform streaming
Program out → Prism Flex → Core → YouTube, Facebook, Twitch, CDN
Single-camera event stream
Camera → Prism Flex (legacy: Cube, VidiU Go) → Core or direct RTMP
Multi-camera live production (worship, education, corporate, concerts)
Cameras → switcher → Prism Flex → Core; Bolt for roaming camera
UAV / public safety situational awareness
Prism Mobile on UAV or vehicle → Core → command centre
On-set zero-delay monitoring
Bolt 7 / Bolt 6 LT TX on camera → RX to director, focus, DIT
Wireless camera control and live color
Bolt 7 900 MHz data channel → DIT cart
Cloud video village / remote review on set
Serv 4K or Prism → Link AX + Node 5G + Teradek Data → Teradek TV
Camera-to-cloud dailies and proxies
Serv 4K or Prism → Frame.io C2C, Sony Ci, PIX, Moxion
Live post review (editorial, HDR color)
Edit or color bay SDI out → Serv 4K / Prism Flex → Teradek TV Pro (10-bit) or Core Share
Wireless focus/iris/zoom (FIZ) lens control
Handset (CTRL.1/3/5) → 2.4 GHz FHSS → camera-mounted receiver (MDR.S/MDR.X) → lens motor(s) (MOTR.S/MOTR.X) on the lens; optional handset mounted on a monitor fed by a Bolt link for lens-data overlays; optional TOF.1 rangefinder
Jobs as customers describe them
From Teradek's question catalogue: each scenario and the workflow it maps to.
ENG / breaking news live shot
- Q01 “We cover breaking news with one camera and a reporter, often from the car.” broadcast
- Q17 “A rally team streams onboard camera from the car during stages.” live production (variant)WF-01 is recorded for broadcast; this live production scenario is mapped to it by Teradek's question catalogue.
- Q25 “A marathon broadcast with motorbike cameras over 42 km.” broadcast · or WF-03
- Q28 “A news agency wants to centrally manage 30 field encoders in five countries.” broadcast (plus Core fleet)
REMI / at-home multi-camera sports
- Q02 “We produce a regional football match with 4 cameras and the director at the studio.” broadcast
RF camera for live sports / IMAG
- Q03 “We need a roaming handheld camera on the pitch and the truck is 400 m away.” broadcast, live production
- Q18 “A theatre needs IMAG of the stage on side screens with no visible delay.” live production · or WF-09
- Q19 “An esports arena needs 6 wireless cameras in a hall full of Wi-Fi.” live production · or WF-07
- Q25 “A marathon broadcast with motorbike cameras over 42 km.” broadcast · or WF-01
Point-to-point contribution / return feeds
- Q04 “Two venues exchange programme and return feed over the public internet every night.” broadcast
- Q21 “A hospital streams surgery to a lecture hall securely.” education · or WF-06WF-04 is recorded for broadcast; this education scenario is mapped to it by Teradek's question catalogue.
- Q26 “A house of worship with two campuses wants the sermon live at the second site.” worshipWF-04 is recorded for broadcast; this worship scenario is mapped to it by Teradek's question catalogue.
Multi-platform streaming
- Q05 “Our weekly corporate show goes to LinkedIn, YouTube and our website at once.” corporateWF-05 is recorded for live production; this corporate scenario is mapped to it by Teradek's question catalogue.
- Q30 “A content creator wants to go live vertically on TikTok and Instagram from a mirrorless camera.” live production · or WF-06
Single-camera event stream
- Q06 “One camcorder, a church, a volunteer, Facebook Live every Sunday.” worship
- Q15 “A university streams lectures from 12 rooms to a campus platform.” education · or WF-07
- Q16 “A wedding videographer streams the ceremony for relatives abroad from a venue with poor Wi-Fi.” live production (plus cellular)
- Q21 “A hospital streams surgery to a lecture hall securely.” education · or WF-04
- Q30 “A content creator wants to go live vertically on TikTok and Instagram from a mirrorless camera.” live production · or WF-05
Multi-camera live production (worship, education, corporate, concerts)
- Q07 “Three cameras, a switcher, a concert hall, stream to a ticketed platform.” live production
- Q15 “A university streams lectures from 12 rooms to a campus platform.” education · or WF-06
- Q19 “An esports arena needs 6 wireless cameras in a hall full of Wi-Fi.” live production · or WF-03
UAV / public safety situational awareness
- Q08 “Police drone feed to the operations room during an event.” public safety
- Q22 “A government agency needs encrypted live video from the field to a situation room.” public safety
On-set zero-delay monitoring
- Q09 “A feature film: the DP, director and focus puller each need a wireless monitor.” cinema
- Q18 “A theatre needs IMAG of the stage on side screens with no visible delay.” live production · or WF-03WF-09 is recorded for cinema; this live production scenario is mapped to it by Teradek's question catalogue.
- Q20 “A documentary crew of two in a remote area needs director monitoring and an evening upload to the editor.” cinema · together with WF-12
- Q24 “A virtual production stage wants camera feeds to the brain bar without cables.” cinema
Wireless camera control and live color
- Q10 “The DIT wants to grade live and control the camera without running Ethernet.” cinema
Cloud video village / remote review on set
- Q11 “The producers are in Los Angeles and want to watch the London set live on iPads.” cinema
- Q23 “A commercial shoot in Sofia with an LA agency watching live and giving notes.” cinema
- Q27 “A rental house wants to offer a turnkey cloud video village package.” cinema
Camera-to-cloud dailies and proxies
- Q12 “The editor wants proxies in Frame.io minutes after each take.” cinema, post
- Q20 “A documentary crew of two in a remote area needs director monitoring and an evening upload to the editor.” cinema · together with WF-09
Live post review (editorial, HDR color)
- Q13 “The client wants to review an HDR grade from home with accurate colour.” post
- Q29 “A post house wants to replace in-person client sessions with remote colour review.” post
Wireless focus/iris/zoom (FIZ) lens control
- Q14 “A gimbal operator needs focus, iris and zoom pulled remotely.” cinema